With all the anticipatory hoopla on Tim Burton's Alice about, here's a perfectly-timed glimpse back into the devious, delirious animated Wonderland, Soviet style. READ ME!
Thirty years after Alice's colorful, light-hearted Disneyfication, a Soviet animation studio in Kiev birthed Alice in Wonderland (1981) and Alice Through the Looking Glass (1982)—shape-shifting and color-swirling, comparably creepy thirty minute cartoons. Alice's most psychedelic and schizoid incarnation—a witty, pouty lash-batter with fringed dark locks that float and change hue—bounces her way over bleeding watercolor landscapes, minimalist backgrounds and stretching and sinking sets.
Unlike most other Alices, all lovely and sugar-sweet and just a little spoiled, the Soviet Alice is acidic, stubborn, bitchy and very welcoming to any and all hallucinations Wonderland has to offer, conjured up in a surrealist frolic by the Soviet animators. So what that the Mad Hatter is more of a depressed drunkard?
Tim Burton's CGI-dampened awesomeness as a multi-million addition to the 3D franchise isn't competing in the same weight category, but the vintage cartoon would be a fierce rival. Here's a little treat for the Carol connoisseurs and the casually curious alike... enjoy!
In 1978, Bulgarian dissident and playwright Georgi Markov was leaving the BBC London office where he worked and heading home. Waiting at a crowded bus stop, Markov felt a sudden sharp pain in his thigh and turned to see a large man bending down to pick up a black umbrella. The man apologized in a thick foreign accent and hopped into a taxi. Markov found a growing red pimple where he had felt the sting, and came down with a fever that night. Four days later, he was dead, the victim of one of the most diabolical assassinations in modern history — the Umbrella Incident.