Marina Galperina

Alice In Wonderland, Perfected in 1981

With all the anticipatory hoopla on Tim Burton's Alice about, here's a perfectly-timed glimpse back into the devious, delirious animated Wonderland, Soviet style. READ ME!

Thirty years after Alice's colorful, light-hearted Disneyfication, a Soviet animation studio in Kiev birthed Alice in Wonderland (1981) and Alice Through the Looking Glass (1982)—shape-shifting and color-swirling, comparably creepy thirty minute cartoons. Alice's most psychedelic and schizoid incarnation—a witty, pouty lash-batter with fringed dark locks that float and change hue—bounces her way over bleeding watercolor landscapes, minimalist backgrounds and stretching and sinking sets.

Unlike most other Alices, all lovely and sugar-sweet and just a little spoiled, the Soviet Alice is acidic, stubborn, bitchy and very welcoming to any and all hallucinations Wonderland has to offer, conjured up in a surrealist frolic by the Soviet animators. So what that the Mad Hatter is more of a depressed drunkard?

Tim Burton's CGI-dampened awesomeness as a multi-million addition to the 3D franchise isn't competing in the same weight category, but the vintage cartoon would be a fierce rival. Here's a little treat for the Carol connoisseurs and the casually curious alike... enjoy!

Alice in Wonderland, Part 1:

Alice in Wonderland, Part 2:

Alice In Wonderland, Part 3:

Alice Through the Looking Glass, Part 1:

Alice Through the Looking Glass, Part 2:

Alice Through the Looking Glass, Part 3:

[RUSSIA!'s limited limited-edition print, an illustration for "Alice's Adventures in Wonderland", where Wonderland is a certain very recognizable city]


Bookmark or Share

Related Articles
Relevant Links, According to Google

Related Articles

The Many Lives of LOMO

This issue’s icon: the people’s camera

High Note

Former Russian Intelligence operative builds $150,000 stereo systems out of his basement.

Made in Russia: The Twelve-Sided Glass

Of all iconic objects of the Soviet era — the orb of the Sputnik, the needle of the Ostankino TV tower — none speaks to the Russian heart as clearly and loudly as the Glass.

Related Blog Entries

Unfortunate Profile Pictures, Slavic Style

 by Marina Galperina
Though making an ass out of yourself on the internet is not culturally exclusive, let's gander at the Slavic strain of the phenomena, distinguished by a joyous lack of judgement, heavy abuse of photoshop, and an abundance of wall carpets.

Death By Umbrella

 by Chris Ross
In 1978, Bulgarian dissident and playwright Georgi Markov was leaving the BBC London office where he worked and heading home. Waiting at a crowded bus stop, Markov felt a sudden sharp pain in his thigh and turned to see a large man bending down to pick up a black umbrella. The man apologized in a thick foreign accent and hopped into a taxi. Markov found a growing red pimple where he had felt the sting, and came down with a fever that night. Four days later, he was dead, the victim of one of the most diabolical assassinations in modern history — the Umbrella Incident.

The Morskoi Boi Arcade Game

 by Zeke Pfeifer
Secret factories, anonymous engineers and military training methods – these are the scattered origins of what became Morskoi Boi, the torpedo-launching simulator that introduced Soviet children to the world of coin-operated entertainment.
Tags