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Why should I read
Alexander Genis?
Because he is Russia's answer to
George Plimpton.
THE
SIXTH SENSE

Having lived in New York for a
third of century, I can
recognize a countryman from
behind, at the wheel and in a
stroller. I don’t need to
listen closely or even take a
good look; an elbow or knee will
suffice. I recognize my
own in any crowd including
nudists and in any uniform —
cop, stewardess or museum-goer.
I have to admit that my ability
is racist, like any
characterization by group rather
than by individual. No one
wants to belong to a
classification that he did not
choose. It’s one thing to
be labeled a stamp collector and
quite another to be a ‘person of
color.’ My only excuse is
that by intuitively recognizing
my countrymen, I am only
involuntarily breaking the rules
of political correctness.
I am now coming to terms with my
“sixth sense” of roots, and I’m
diligently trying to understand
its workings.
What are the ingredients of this
inexplicable ‘Russianness’ that
cleverly leaps national
boundaries to make us all
children of one ruined empire?
And who (that is, until the Last
Judgment) dares define it?
Solzhenitsyn did not consider
Brezhnev Russian. Brezhnev
probably did not consider Nathan
Sharansky Russian. But in
America, all three are united
under one banner. Foreign
surroundings develop it like a
roll of film.
Life is full of inexplicable
phenomena, and the secrets of a
“Russian” person are no easier
to explain than those of a Yeti
and just as hard to capture. We
are left only with the petty but
unarguable details:
We no longer drink until
morning, but still like to sit
in the kitchen.
We no longer read the classics,
but insist our children do.
We know what foie gras is, but
still love wild mushrooms.
We tolerate democracy, but
prefer extreme measures.
We no longer say “we,” but can’t
take being alone either.
We no longer push to the front,
but still get in the elevator
first.
We don’ t like ourselves
anymore, but don’t like other
people either.
We speak without accents, but
still refer to beer as “a little
brew” and vodka as “you know.”
It’s hopeless; subtraction
results in zero and addition
gives you infinity. You can’t
retreat, either.
Not too long ago I was in
Serbia. The presentation for my
Belgrade audience ended with
time for questions. The first
taker was a bearded dissident
with a steely gaze.
“Is there a God?” he asked.
I turned around hoping to see
the authority he was asking, but
behind me was a wall with a very
realistic portrait of a
cigarette butt.
“Well, you know…” I stumbled.
“No, we don’t,” firmly answered
my interrogator — my answer had
been translated verbatim “do you
know?”.
“ But why me?” I asked.
“It’s clearer to you Russians.”
That’s when I knew I was in
trouble.
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CONTRIBUTORS |
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Alexander Genis,
one of Russia’s foremost
essayists and literary
critics, who has
positioned himself so he
could see Russia from
America and America from
Russia, tries to explain
why Russians don’t need
IDs to recognize their
fellow countrymen.
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